66
Skyggen
Monodrama on H.C.Andersen for clarinets & live-electronics (Max)
Duration: 31 minutes
65
Texture 1 (2013)
Five instruments & live electronics (Max)
Duration: 9:20
64
Fluctuant (2013)
Cello solo & live electronics (Max)
Duration: 10:16
63
Níu Bárur - Ni Bølger - Nine Waves - Nio Vågor (2013)
String Quartet No 4 - with live electronics (MaxMSP)
Duration: 21:04 minutes
62
Micromorph 2 (2012)
percussion solo work, comp MaxMSP
51 minutes
61
Sonus Nubes (2012), subtitle: Passage 5
cl, sax, trbn, dr kit, pno, vn, vc, cb, comp MaxMSP
60
Recomenzar el Infinito (2012, 15:02 minutes)
1. Papilio Machaon: Tango - Symmetries - Asymmetries - Papilio Machaon (6:40)
2. Yo te amo (1:42 minutes)
3. Tarantella (6:40)
cb (voice), comp MaxMSP
Sabras que no te amo (2012)
voice, gui, dr kit, comp MaxMSP
(a version of 2nd movement of Recomenzar el Infinito)
3:40 minutes
59
Longing Madly (2011)
installation project with Henrik Sandner & Michala Norup
58
Passage 4 (2011)
improvisation in 6 sections of 7 min. for wind instrument, comp MaxMSP
from 7-42 minutes
57
couleurs nomades (2011)
fl (bass, sopr), vc, comp MaxMSP
10 minutes
56
Dark violet - Deep turquoise (2010-11) (subtitle: Passage 3)
accordion, comp MaxMSP
29 minutes
55
Passage 2 (2010)
dr kit, comp MaxMSP
5 minutes
Passage 1 (2010)
sop sax, cl (Bb), trbn, dr kit, pno, vn, vc, cb. comp MaxMSP
13:30 minutes
54
sich hingab (2010) - third string quartet
vn1, vn2, va, vc, comp MaxMSP
53
343 m/s - speed of sound (2010)
bcl, el-gui, harp, perc, va, cb, comp MaxMSP
52
audioX (2010)
trbn, perc, comp MaxMSP
51
Spazio Vitale (2009), subtitle: Ratio 14:9
tenor recorder, sax (soprano, baritone), perc, comp MaxMSP
23 minutes
50
stillstehen (2009, 11)
bcl, perc, harp, comp MaxMSP
7 minutes
49
lakdlak lakdjlkajsf (2010)
a co-composition by Morten Skovgaard Danielsen, Frode Andersen & Kanding
using the accordion work: Title? by MSD
soundfile of Sette venti by me
re-composed by Frode Andersen
abstract colors - colori astratti (2009)
vn, comp MaxMSP
23:36 minutes
sette venti (2009) - instrumental version
vn, perc, comp MaxMSP
installation project with Nes Lerpa
29 minutes
sette venti (2009) - video version
video production by Vincenzo Vinotti
12:08 minutes
micromorph 1 (2009)
stereo & 4.1 surround audio
exhibition at Danish Design Center
26:13 minutes
corpus (2009)
5.1 surround audio
5:04 minutes
48
Lullabies (2009)
20-60 minutes installation concert with a lot of music boxes
2 accordionists, improvised real-time processing MaxMSP
composed together with Jexper Holmen & Frode Andersen
47
Litofonia (2008, 13), subtitle: Stone Circle
written for Percurama, 6 percussionists
27 minutes
46
auxiliary blue (2008)
bcl, perc, vn, cb, comp
composed together with Frank Bretschneider
45
sombra en el muro (2008)
theatrical performance for bass clarinetist & comp
inspired by Platon: Allegory of the Cave
44
red - white - orange lithophony (2008)
6 percussionists, comp
developed from three colors
three moods (2007)
bcl, perc, comp
based on "three colors"
three modes (2007)
vn1, vn2, va, vc, el. guitar, el. bass, drums, comp
the same as "three colors" but added el. guitar, el. bass & drums for a live game
show Hitman
three colors (2007) - second string quartet
1. white symmetry
2. black glissando
3. orange noise
vn1, vn2, va, vc, comp
43
red shapes (2007)
female voice, comp
based on " difficult shapes & passive rhythms" but added the live voice
improvisation by RebeccaMaria, real-time processed
difficult shapes & passive rhythms (2007)
a remix by Frank Bretschneider
og my orchestral work: Vergeuder der Schmerzen (1995)
5.1 surround
42
ratio 3:5 (2007)
bcl, vn, vc, pno, comp
41
tonlos Los tonlos (2006-7)
tam-tam, comp
40
Sur Real Life (2005)
bcl, vn, comp, 2 male & 1 female dancer
modern dance performance by Camilla Stage
39
epicentre II (2008-09)
accordion
extended live version of epicenter Ib
epicentre Ib (2005)
surround audio format 5.1
epicentre Ia (2004-5)
2 channel audio
38
beyond resonance (2004)
soprano sax, perc, pno
37
Kontur des Fühlens (2004) - first string quartet
vn1, vn2, va, vc, comp
die achte Elegie (9 min)
3 remixes of Kontur des Fühlens:
Feelings, so much more that feelings (2011)
for string quartet & comp
co-composer: Morten Riis
KdF_moiré (2011)
for string quartet & comp
co-composer: Rune Søchting
Véla∂ar Strokur (2011)
for string quartet & comp
co-composer: Runar Magnusson
36
viste sueños (2003)
recorder (alto, voice, bass), comp (11 min)
35
Arild Trio (2010)
gui, cb, dr kit, comp MaxMSP
11:23 minutes
Arild (2003)
cb, comp
die siebente Elegie II (8 min)
34
co-zo (2004)
bcl, perc, vn, electric fretless bass, comp
cora (2004)
fl, perc, comp
de aire (2003)
fl, comp
corazón de aire (2002)
fl (bass, alto, picc), tenor trbn, mezzosoprano, cb, comp (13 min)
33
EMP remix (2002)
8 channel audio (7 min)
remix of Else Marie Pade: 7 cirkles
32
Drei Stücke (2001)
cl (Bb), vn, pno
in memoriam Arnold Schönberg
31
las sombras (2000)
comp
intuitive music, version 1.0, performed 26. Jan. 2000
30
cosmopolita (2005)
perc, comp
developed from "metrópoli"
metrópoli remixed live version (2002)
bcl, perc, comp (7 min)
metrópoli remixed (2001)
2 channel audio (7 min)
remixed version of "metrópoli"
released on CD at Open Spaces, Danish Music Information Center 2002, MICD 2
metrópoli (1999)
perc, comp (7 min)
29
dromos (2004)
2 channel audio
remixed version ciudad de las sombras
metrópoli de las sombras (2000)
bcl, perc, comp
based on "ciudad de las sombras" & "metrópoli" for the video "Bogotá – ciudad
de las sombras"
ciudad de las sombras (1999-00)
bcl, comp
is developed from the material in "Happy in Dorado City"
28
Happy in Dorado City (1998-99)
3 actors, bcl, comp
music theatre, instructor: Wolfgang Häntsch, Berlin
27
Berge des Urleids (1998-99)
vn, comp (13 min)
die siebente Elegie I
26
sepulcro movible (1998, 00)
bcl, perc, comp (17-19 min)
"Les Chants de Maldoror" is developed to a written score in 1998, the electronics
is continuously developed until 2000
“Les Chants de Maldoror” (1997)
bcl, comp
few written fragments for bass clarinet & Max patch controlling AKAI sampler &
Ensoniq DP/4, basically improvisation
25
azul III (2003)
bs, cb, comp
azul II (2001)
vn, cb, comp
profundización (1998)
bcl, cbcl, comp
azul I (1998)
bcl, cb, comp
a counterpoint is added to bass clarinet in "profundización de azul"
profundización de azul (1997)
bcl, comp
real-time processing & 4 samples from Glass, 2000 was the first sample replaced
by filtered noise
this composition exists in 4 other versions
24
Entbergen III (1999)
bcl, hrp, comp (11 min)
based on Entbergen II
Entbergen II (1998-99, 01)
bcl, perc, vn, cb, comp (11 min)
the score & electronic soundfiles is developed from Entbergen I
Entbergen I (1997)
hrp, comp (11 min)
23
“...das Offene” (1996)
bcl, perc, cb, comp
die sechste Elegie, part of the cycle: Rilke Elegien
22
“Vergeuder der Schmerzen” (1995)
afl, oboe d’amore, cl (Bb), 2 bcl, cbcl, bs, cbs, 2 trp (C), 6 trbn (alto, 3 tenor, 2
bass), tub, 4 perc,
strings (12.12.8.8.8 (5-st))
die vierte Elegie, part of the cycle: Rilke Elegien
21
gaukler (2001)
bcl, perc, vn, cb, comp (11 min)
is based on "sonrisa del juglar", percussion is written, violin & contrabass has
lines back to "Subrisio Saltat."
sonrisa del juglar (1998-99)
bcl, perc, comp (11 min)
is based on "les saltimbanques" with addition of a mainly improvised percussion
part
les saltimbanques (1997)
bcl, comp (11 min)
the bass clarinet part and the electronics is based on "Subrisio Saltat."
“Subrisio Saltat.”(1995-96)
cl (alto, bass), vc, pno, comp (also in a version for bcl, vc, pno, comp) (11 min)
die dritte Elegie, part of the cycle: Rilke Elegien
20
Flug der Farben (1994-95)
fl (also alto), ob (also enghn), cl (Bb, bass), bs (also cbs), 2 hn, trp (C, F), tenor
trbn, 2 perc, hrp, pno, strings: 1.1.1.1.1 (19 min)
die zweite Elegie, part of the cycle: Rilke Elegien
19
Schlagzeugstücke I-III für vier spieler (1995)
1. “...zielloses Streben” (1995)
2. “Ketten und Bänder” (1995)
3. “...unerwartete Trommelschläge” (1995)
Schlagzeugstücke I-III für drei spieler (1994, 2003)
1. “...zielloses Streben” (1994)
2. “Ketten und Bänder” (1994)
3. “...unerwartete Trommelschläge” (2003)
18
multidirectional flow of information (2007)
bcl, perc, vn, cb, comp
intuitive music, performed March the 6th & 7th
Band - membram413 (2007)
bcl, perc, vn, cb, comp
based on a tape by Frank Bretschneider
intuitive music, performed March the 6th & 7th
improvisation berge (2006)
comp
intuitive music, performed 4 times in Herning
lab.road (2004)
bcl, comp 1, comp 2, video
intuitive music, version 1.0, performed 3. Jul. 2004
pp00a (2000)
trp (with saxophone mouthtube), tenor trbn, perc (incl gnidophon), electric bass
intuitive music, version 1.0, performed 30. Nov. 2000
bul00a (2000)
cb, comp
intuitive music, version 1.0, performed 22. Oct. 2000
espontáneo II (1999)
bcl, cbcl, hrp, comp
intuitive music, version 1.0, performed 15. Oct. 1999
espontáneo I (1999)
bcl, perc, comp
intuitive music, version 1.0, performed 7. Mar. 1999
“Weltinnenraum” (1995)
fl (grand or alto), perc, pno
intuitive music, version 1.0, composed 8. Dec 1995
“...mit steigernder Stille” (1995)
perc (tam-tam, 3 gongs, 3 cymbals), pno
intuitive music, version 1.0, composed 4. Aug 1995
“...in die Schöpfung eingehaucht” (1994)
soprano sax, electric fretless bass, elecric pno
intuitive music, version 1.0, performed 5. Aug 1994
17
The Rings - Ringene (1993-94)
3 fl, 3 ob, 3 cl, 3 bs, 4 hn, 3 trp, 3 trbn, tub, 3 perc, hrp, strings (fx 14.12.10.8.6
(5 st))
16
“...unsägliche Stelle” (1993, 95)
vn, vc, pno
die erste Elegie, part of the cycle: Rilke Elegien
15
Vier Georgelieder (1993)
mezzo soprano, pno
Arnold Schönberg in memoriam
14
Fustanella (1993)
trp, perc
13
“Zwischen den Hämmern” (1996)
2 perc, vn, va, vc, cb, tape
die fünfte Elegie, part of the cycle: Rilke Elegien
the tape is Glass (1993, 96) but cutting up in several soundfiles
die Vertiefung des Blau (1996)
perc, tape
the tape is identical with Glass (1993, 96)
Glass (1993, 96)
2 channel audio
12
Des roten Schalls des Sonnenballs (1992-93)
fl
11
Winter Darkness (1991-92)
accordion
10
Inflixions (1991-92)
organ
9
Adå’nai rå’i (1992-93, 96)
mezzo soprano, perc, pno, va, cb (also in a version with real-time processing
(computer))
Chorale (1991)
mezzo soprano, vc
third part of the cycle: Psalm 23
8
Prelude (1991) & Toccata (1992)
va
first part of the cycle: Psalm 23
7
Logos - The Word (1990)
4 trp, 2 hn, 3 trbn (alto, tenor, bass), euphonium, tub, 2 perc
6
Operanic (1988-89)
fl, cl, bs, trp, trbn, perc, pno, vn, vc, computer
chamber opera in 1 act 10 scenes
5
Eruptio et Cogitatio - Udbrud og Overvejelse (1987-88, 90)
fl, ob, cl, hn, bs
wind quintet in 11 movements
4
Krystal I-III – Crystal I-III (1985, 87, 89-90)
pno
I (1985)
II (1989-90)
III (1987)
3
Triptykon - Triptych (1985)
va, vc
1. Dødskyggernes dal - The valley of the shadow of death
2. Hvilens vande - Still waters
3. Trøst – Comfort
second part of the cycle: Psalm 23
2
Four Meditations (1985-86, 89)
fl, pno
1. Ansigt i vandspejl - Water face (1989) - pno
2. Hjortens skrig - Cry of the hart (1985, 89) - fl
3. Getsemane - Gethsemane (1986) - pno
4. “...thi jeg er syg af kærlighed” - “...for I am sick with love” (1987, 89) -
fl, pno
1
Intrada (1985, 87-88)
2 trp, 3 trbn (tenor, tenor, bass)
abbreviations:
fl=flute, afl=alto flute, ob=oboe, enghn=english horn, cl=clarinet, bcl=bass
clarinet, cbcl=contrabass clarinet, sax=saxophone, bs=bassoon,
cbs=contrabassoon, hn=horn in F, trp=trumpet, trbn=trombone, tub=tuba,
perc=percussion, hrp=harp, pno=piano, vn=violin, va=viola, vc=violoncello,
cb=double bass (mostly 4-string else written cb (5st)), comp=macintosh
computer runing Max/MSP
(fx: fl (bass, picc) = one flutist plays both bass and piccolo flute)
(1998-99, 01=mainly composed through 1998-1999 and 2001)